Martin "Fetch" Phillips

1.5M ratings
277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

Hello, guys! It has been while after I updated with news on his book, his current TV show (Preppers) and other stuff as well. I’m sorry that I didn’t make sometime for some gifset/fanart/fanvids due my commitment in real life, with on-going pandemic all around the world.

My goals this year was supposedly to write blog, doing reviews on his book, his film/tv shows (which I will put link later once my creative side appeared or not so busy with real life activities) and also writing/editing transcript on his podcast with wonderful friends whom I loved them. Big thank you for them to help me with transcribing. If you’d love to volunteer for transcribing, you can leave ask box message there.

I have a Ko-fi here and Patreon (haven’t post there lately, hopefully in the future I will able to post my craft soon) I don’t want ask so much but think it as treat for coffee treat for me. My commission slot isn’t open.. so sorry! I will be back once my drawing skill are getting better with lots of practice and experiment. However, if you have certain specific request for gifset or screenshot you were looking for, drop it on my message box and I will do my best to help you.

I will do my best to keep up with you soon! Good night and take care!

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asterofthevoid
griseldajane

Glaze is out!

Tired of having your artwork used for AI training but find watermarks dismaying and ineffective?

Well check this out! Software that makes your Art look messed up to training AIs and unusable in a data set but nearly unchanged to human eyes.

I just learned about this. It's in Beta. Please read all the information before using.


1/ This might be the most important oil painting I’ve made:  Musa Victoriosa  The first painting released to the world that utilizes Glaze, a protective tech against unethical AI/ML models, developed by the @UChicago team led by @ravenben. App out now 👇 https://t.co/cNIXNDHMBy pic.twitter.com/Y1MqVK7yvZ  — Karla Ortiz 🐀 (@kortizart) March 15, 2023ALT
digitaldiscipline

Art thieves already hate it:

image
fierceawakening

Dude, if you're stealing, you deserve to have the data poisoned. Because you could have asked and you didn't.

spooky-octagon

The link is only in the original post inside an image, not as text, so here it is as plain text: https://glaze.cs.uchicago.edu/

and the paper about how it works: https://arxiv.org/abs/2302.04222

esoanem

As links (because some of us are on mobile and can't easily copy and paste to our browser), those are:

https://glaze.cs.uchicago.edu

&

sliceosunshine

A bit of a TLDR for some questions I saw in the notes:

The team that created Glaze is from the University of Chicago. Their names are each listed in full on the Glaze download website. (This group of students/professors did this for their SPRING BREAK 😱 so go give them some love lol)

It is free to download. No, they won’t ask for or raise money from/for this project.(stated by one of the lead professors of the project).

Glaze is designed to protect artists’ STYLE--which a bunch of ai people have been deliberately fine-tuning their models to mimic (and specifically of current living artists--small or big).

It currently does not protect against composition/trace-like theft (as seen when run through img-to-img) but that would be protected by copyright anyway while STYLE is not.

The University Team has stated that they are dedicated to continuing to improve the tool, like fixing bugs (like overheating older computers by taking up lots of energy when Glazing--it currently runs on CPU so they’re trying to change that to GPU, I believe) and expanding the type of protection given to artists (like working against img-to-img theft).

It currently only works directly on your computer (phones not advised due to current overheating issue, no tablets, or iPads, and no website runthrough since that would be insecure to breaches/scraping/hacks)

It currently works best on painterly artwork, but can still be used on other forms (team is working on improving this)

IT WORKS BY calculating the changes each image needs for the best protection against style theft by AI, and adds tiny changes throughout the piece, so that your style will, for example, confuse the ai into seeing van gogh. But the ai thieves will see a regular image in your style, feeding it into their model labeled as your work (thus starting the “data poisoning”).

Do not post the original unGlazed piece of your artwork after posting your Glazed version (obviously)

The Team worked directly with over 1,000 artists that were being impacted by the ai theft. Because the team listened to those artists, Glaze accounts for regular art thieves too (i.e. Glaze can’t be removed/cropped etc. like signatures or watermarks when reposted. It’s just part of the image, so even if it ends up on another site and scraped, the Glazing is still in effect)

When you run your artwork through Glaze, no information is sent back to the Team. (Aka, no scraping on their part. The app receives information from the Team (like updates) but no information from you is given to them through the app. Basically Team servers ---> You and NOT Team servers <--->You) One-way data street.

Brief misunderstanding happened over an open-source license for the front-end part of the app. (Used open-source coding for front-end, not knowing that code’s use-license states it is only for other open-source uses, not closed-source (the back-end code of the app is private to prevent counter-counter measure developments)). The Team took down the app until they replaced the front-end code with code written from scratch by the team. They are now not in violation of that open-source license since they are no longer using it. (you have 30 days to remedy a license breach once informed; they did so in 2)

The Team is currently in touch with Japanese artists to better expand the tool for use to protect their art styles

From what I understand of it, Glaze is an AI tool designed to be anti-AI (Think Arnold Schwarzenegger in Terminator 2: one Terminator robot vs. all the other Terminators 😂)

You can download it from their website and also contact them through email there with any questions, problems, or bugs. The website: https://glaze.cs.uchicago.edu/

locus-p0cus

reblogging this every fucking time it comes across my dash

art protection

Here’s sample of Don’t Hang Up by Benjamin Stevenson, narrated by Luke Arnold and Sibylla Budd.

Description:

‘You and I are going to have a chat. If you hang up, this girl dies.’
Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making.

Now there’s no producers, no billboards, no stakes, and, crucially, not many listeners. His frequent callers are drunk college students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night.

And then one night at 12:45am, he gets a different kind of call, with higher stakes than he could ever have wanted. The caller’s rules are simple – stay on the line, live on air, until dawn, or the woman they are holding captive will die.

The night wears on and Adam is tormented by his caller, forced to answer increasingly personal questions, exposing his fall from grace for all to hear. He must try to figure out just who is calling him, what they really want, and how he can stop them. All while staying live on air, and keeping the psycho talking.

But as the conversation gets deeper, is Adam willing to broadcast his darkest secrets to the world in order to keep a stranger safe?

You can buy full version of Don’t Hang Up by Benjamin Stevenson on Audible here

black sails luke arnold john silver audiobook don't hang up benjamin stevenson sibylla budd audible audible australia SoundCloud
karlurbanmediacollector
television

“When Taika sent me the script, he also sent me some key art of what his vision of the characters was gong to be. And that was one of the first conversations we had. He was like, ‘I’d like to shave your head,’ and I read the script and went, ‘Yes, I’ll do this.’ Actually, the first time I turned up in Australia, he stopped shooting the movie, and made a beeline for where I was at to come personally shave my head.” –Karl Urban

karlurbanmediacollector

Thor: Raganarok extras, February 2018.

karl urban taika waititi thor: ragnarok behind the scenes